Social Propaganda and Utopian Qualities in Adam Sandler's Big Daddy

Number of Pages 12

This paper consists of 12 pages and uses Benedict Anderson's imagined communities, Jacques Ellul's sociological propaganda and Richard Dyer's paradigm theories to examine how the film represents social propaganda and utopian qualities. There are three sources cited in the bibliography.


File: LM1_TLCdaddy.doc


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